Hot Milk — The King and Queen of Gasoline
Difficult to categorize as they undertake some notable changes on their third EP, The King and Queen of Gasoline, Hot Milk find themselves shifting between...
Eminem — Curtain Call 2
Partially due to the waning intrinsic value of greatest hits compilations in the age of streaming and endless playlists, but also because Eminem’s output and...
Maggie Rogers — Surrender
Holding on to her folksy roots while emerging as a bona fide pop star, Surrender finds Maggie Rogers still deciding which musical genre fits best....
Beyoncé — Renaissance
In stark contrast to the evocative and personal Lemonade, Beyoncé’s Renaissance sheds the weighty emotions and genre-bending ethos of her 2016 effort, wades out onto...
Tedeschi Trucks Band — I Am The Moon: III. The Fall
As a collection of songs, I Am The Moon: III. The Fall doesn’t astound with inventive or unexpected musical structures, nor does it explode with...
Ty Segall — Hello, Hi
Somewhere between his burgeoning list of bands and occasional soundtrack tangents, Ty Segall finds time to churn out a yearly stream of albums ranging from...
Odesza — The Last Goodbye
Electro-dance duo Odesza return from a five-year release hiatus with The Last Goodbye, a collection of rhythm-heavy electronica tracks in much of the same format...
Ben Harper — Bloodline Maintenance
After an instrumental album and a series of duets, Ben Harper returns with a more familiar sound on Bloodline Maintenance. Split between social commentary of...
Jack White — Entering Heaven Alive
Taking a brief respite from his continuing prog-rock fascination, Jack White steps back into more mundane songwriting on the curiously named Entering Heaven Alive. Unlike...
Top 10 Debut Albums of All-time
Few events rival the palpable anticipation of a favorite artist’s newest release, but sometimes, even better than rewarded patience is the sonic shock that unexpectedly...