Panic! At The Disco — Viva Las Vengeance
Far, far removed from the pop amalgam that was Pray for the Wicked, Brendon Urie takes Panic! At The Disco headlong into a form of...
Hot Chip — Freakout/Release
As the title suggests, post-pandemic LP Freakout/Release sees electro-pop icons Hot Chip delving into subject matter deeper than their standard groove-laden electro offerings with the...
Telenova — Stained Glass Love
With Stained Glass Love, upstart electro-pop trio Telenova takes another small step in their musical journey by releasing a second EP following last year’s successful...
Sylvan Esso — No Rules Sandy
On Sylvan Esso’s fourth studio album, No Rules Sandy, the electro-pop duo of Amelia Meath and Nick Sanborn rebalance their synthesized–yet–organic sound, losing much of...
Osees — A Foul Form
Currently calling themselves the Osees, Jon Dwyer’s prog-rock post-punk artistic vehicle dispenses with all pleasantries and runs head-on into their harshest and grittiest effort to...
Kasabian — The Alchemist’s Euphoria
A band in transition, Kasabian returns with their first album since 2017, and more importantly, their first since the departure of Tom Meighan as lead...
Hot Milk — The King and Queen of Gasoline
Difficult to categorize as they undertake some notable changes on their third EP, The King and Queen of Gasoline, Hot Milk find themselves shifting between...
Eminem — Curtain Call 2
Partially due to the waning intrinsic value of greatest hits compilations in the age of streaming and endless playlists, but also because Eminem’s output and...
Maggie Rogers — Surrender
Holding on to her folksy roots while emerging as a bona fide pop star, Surrender finds Maggie Rogers still deciding which musical genre fits best....
Beyoncé — Renaissance
In stark contrast to the evocative and personal Lemonade, Beyoncé’s Renaissance sheds the weighty emotions and genre-bending ethos of her 2016 effort, wades out onto...