Osees — A Foul Form
Currently calling themselves the Osees, Jon Dwyer’s prog-rock post-punk artistic vehicle dispenses with all pleasantries and runs head-on into their harshest and grittiest effort to...
Kasabian — The Alchemist’s Euphoria
A band in transition, Kasabian returns with their first album since 2017, and more importantly, their first since the departure of Tom Meighan as lead...
Jack White — Entering Heaven Alive
Taking a brief respite from his continuing prog-rock fascination, Jack White steps back into more mundane songwriting on the curiously named Entering Heaven Alive. Unlike...
Black Midi — Hellfire
Somewhere under a barrage of highly musical noise—both consonant and dissonant—lies the story of Black Midi, an uber talented quartet of young artists, raised on...
Interpol — The Other Side Of Make Believe
After the stripped-down, high-energy affair of 2018’s Marauders, indie rock darlings Interpol return with a softer, more subdued approach on The Other Side Of Make...
Neil Young — Toast
It would be easy (and a bit lazy) to write off Toast as an outtake rehash of 2002’s Are You Passionate?—even if the shoe fits....
Metric — Formentera
Eight albums in, Metric continues evolving with Formentera, this time settling on a blend of their best fitting genres, creating ambitious compositions and throwing in...
Paolo Nutini — Last Night In The Bittersweet
The mercurial Paolo Nutini returns from a lengthy eight-year hiatus with the far-flung rock exploration, Last Night In The Bittersweet. Not content wading in the...
Imagine Dragons — Mercury Act 2
With their larger-than-life, trademark sound scattered across movies and television, Imagine Dragons—or at least their explosive anthemic music—has pressed its way into our pop-culture subconscious....
Tedeschi Trucks Band — I Am The Moon: II. Ascension
Much like the ever-changing Moon, the second installment of the Tedeschi Trucks Band’s I Am The Moon anthology shifts topical focus within the four-part collection’s...